Buy Andante et Scherzo (Trumpet Solo with Piano& at Trumpet Sheet Music. A flashy J.E. Barat – Alphonse Leduc. Andante et Scherzo Cover. Has anyone played Andante et Scherzo by Barat? Should I single or double tongue the 16th notes in the scherzo section? Tempo is dotted. Andante Et Scherzo Andante Et Scherzo By J. Edouard Barat. For C or B-flat Trumpet and Piano. [J. Edouard Barat] on *FREE* shipping on.

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Andante & Scherzo for trumpet & piano

Jul 16, 1. Has anyone played Andante et Scherzo by Barat?

Should I single or double tongue the 16th notes in the scherzo section? Jul 16, 2. Listing to a recording of it right now on YouTube – sounds to me like the player is double tonguing.

Personally, I think I’d double tongue them. Aside from that, I’ve never played it – sounds like a neat tune though. I might have to look into doing it somewhere sometime. Jul 16, 3. Alright, I’m going to save you a lot of anguish later in your trumpet playing career. This question comes up WAY to often. Can you play in style, at tempo, correctly and it sound good with single tonguing? anadnte

If the answer is yes, then do it. If not, do a multi-tongue. Here’s the deal, you learn to single tongue from the very beginning but you’re pretty far into your trumpet playing career once you can multi tongue, and it may not even be good for a few years after that. That means most players can single better than they can multi.


Don’t take a chance on a performance using an underdeveloped technique when you can do it more comfortablly. As trumpet players, we tend to try to push our limits and falter because of it. Do what feels good and sounds good. That being said, keep working on your multi tongue for when you have to use it. But my heart breaks every time I hear the entrance in Mahler 5 with a weak triple tongue. Jul 16, 4. Sometimes it’s taking a chance and taking on a piece of music that helps to push our technique to a new place.

I played the Goedicke Concert Etude as contest solo as a Junior in high school, and although my double tonguing technique wasn’t fantastic when I started it, by pushing myself through that piece of music, it improved it a lot.

That’s what helped me to develop my foundation for my multiple tonguing. In my memory, I did a pretty good job of it too.

I know that some always talk about doing what’s right for the music, but sometimes and this is just an opinion when a player is in their formative years, I think it’s ok to maybe take the wndante and put the music second for the sake of the student who is striving to become better.

After all, isn’t pushing ourselves beyond our normal limits what helps us to improve? I think that ane should be limits to this though.


Barat, Joseph Edouard – Andante & Scherzo for trumpet & piano

I’ve seen more than a few times a high school kid who bit off way more than they could realistically accomplish, and I don’t agree with that – that’s setting a person up for failure, and that’s the kind of experience that can cause an aspiring young musician to stop playing.

Jul 16, 5. I have played and performed that piece and you should, indeed, double tongue the 16th notes in the scherzo. Jul 16, 6. If listeners can tell you are double tonguing then you need to work more on it. If single tonguing is fast enough then use it. If you need to double tongue at a certain tempo, learn to do it well and no one can tell.

Bill Dishman Gainesville, Florida. Jul baraf, 7.

Jul 16, 8. I was thinking that dodecatuple tonguing the hemidemisemihemidemisemiquaver would be best. Jul 17, 9.

Andante et Scherzo by Barat | Trumpet Forum & Trumpets For Sale

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