Khachaturian, Aram – Trio for Clarinet, Violin, and Piano – Edition Sikorski Milhaud, Darius – Suite, Op b – Violin, Clarinet, and Piano – Editions Salabert. The star player on this fine showcase is clarinettist Ludmila Peterkova, a one-time graduate of the Prague Conservatory who has already recorded Bruch and.

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In three movements, the trio displays Khachaturian ‘s trademark use of crossrhythms, folk songs, and harmonies that could be thorny at some times or bittersweet at others.

Khachaturian, Trio in G Minor for Clarinet, Violin and Piano

Kgachaturian again is from a mixed recital. The second movement celebrates dance khachaaturian a scherzo impulse with alternating slow and fast sections featuring that brisk motoric drive that sounds at once like both early modernism and ancient folk music. The opening Andante con dolore, molto espressione is a duet for the clarinet and violin, almost improvisational, with the piano accompaniment adding a complex layer seemingly in rhythmic conflict with the khachayurian instruments.

An outstanding conductor and teacher as well, Khachturian is khachatueian today primarily for his orchestral music comprising symphonies, concerti, ballet and film music, his most popular “hit” being the Sabre Dance from the Gayane suite. AllMusic relies heavily on JavaScript. He was born and raised in Tbilisi, Georgia then part of the Russian empire where he was initially inspired by numerous folk music traditions from Armenia, Azerbaijan, Uzbekistan and Georgia.

Rainy Day Relaxation Road Trip. It takes extremely skilled ensemble players to make it sound right. Sexy Trippy All Moods. A young, provincial seventeen-year old Khachturian moved to Moscow to pursue a higher education, first in biology, then cello performance, and finally composition.

The trio features three movements in a somewhat novel pattern of slow — fast – slow. Drinking Hanging Out In Love. Gramophone products and those of specially selected partners from the world of music.

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Please enable JavaScript in your browser to use the site fully. What first distinguishes Khachaturian ‘s Clarinet Trio from nearly all others written earlier, such as Mozart ‘s, Beethoven ‘s, or Brahms ‘, is his use of the violin rather than the mellower-sounding viola or cello. The opening movement, Andante con doloreis essentially a lyrical improvisation based on a khacnaturian, mournful melody derived from an Armenian folk song, and decorated with arabesque embellishments.

Prokofiev was so impressed with this piece that he khachaturiian able to see that it was performed khachaturiann published in Paris clarunet after it was completed. Bartok, Francaix, Khachaturian, Poulenc and others: Aram Khachaturian Trio in G Minor for Clarinet, Violin and Piano Aram Khachturian is generally celebrated as the foremost Armenian composer of the 20th century synthesizing European “classical” art music with striking elements of Eastern Eurasian folk music in a vivid nationalism that reflects multiple cultures under the sprawling aegis of Soviet Union.

Most of his works were for orchestra or large ensembles, although he did write a string quartet and this trio.

Trio for clarinet, violin & piano in G minor

Eventually, he served as a professor at both music schools. The Khachaturian Trio dates from and was once promoted by Miaskovsky, no less. Romantic Evening Sex All Themes. The finale is a spicy set of variations on an Uzbek melody and the style throughout is highly characteristic. The middle Allegro is very obviously modeled on folk dances, with rich color and precise rhythms. Like most of the repertory on the CD, it reflects the influence of folk-style music, improvisationally in the opening Andante con dolore, more assertively in the vigorous Allegro that follows.

Aram Khachaturian was born in the Georgian city of Tiflis now Tiblisi. Although he wrote very little for intimate ensemble a handful of duo character pieces, a violin sonata and a fugue for string quartetinat the age of 29, still a student, Khachturian composed a marvelous three-movement trio for clarinet, violin and piano. In the second movement, Allegrostormy episodes alternate with tender-dance like interludes.

The more moderate finale is a theme and variations based on an Uzbek folk melody giving Khachturian an ample vehicle for demonstrating the riches of this ensemble supremely suited to his unique style.


Though it dates from his school years in Moscow, it is masterful and unique, a perfect showcase for Khachaturian’s blend of classical and exotic folk elements particularly emphasized by the colorful instrumentation.

Composition Artist Credits Contrasts. His talent was so great that he was admitted the Gneissin Institute, Moscow’s second most prestigious music school. He did not begin to study music as a child but at 19 took up the cello.

Khachaturian was still a student of Myaskovsky at the Moscow Conservatory in the early s when he wrote this trio for clarinet, violin, and piano, and yet it displays the same rhythmic and harmonic devices that mark his mature works. Her style hints at the once-familiar chirruping tone that we associate with the best of her Czech forebears, and it suits this particular recital. The finale, Moderatois a set of nine variations based on an Uzbek folk melody, featuring several exotic intervals.

The all-time greats Read about the artists who changed the world of classical music. Melody and descant, call and response, haunting unisons and evocative intervals flow through a river of shifting tempi, mood and instrumental color that eventually grows soft and sorrowful until it flickers and fades into a deeply charged silence.

Streams Videos All Posts. Following years of study and practice, Khachturian would achieve an international reputation drawing praise from Prokofiev and Shostakovich his nearly exact contemporarywho, like Khachturian himself, won awards as well as withering censure from the Soviet state.

Bartók/Khachaturian/Milhaud/Stravinsky Clarinet Trios

The arguably more famous clarinet trios from Mozart, Beethoven, Schumann Bruch and Zemlinsky are all scored for clarinet with piano and viola or cello. Skip to main content. If you are a library, university or other organisation that would be khacchaturian in an institutional subscription to Gramophone please click here for further information. The work is in three movements.